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Cómo un músico independiente ha colocado dos álbumes en el número 1 de las listas de Billboard

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paul_on_stepsCómo un músico independiente ha colocado dos álbumes en el número 1 de las listas de Billboard

Es un logro enorme para llegar tu música al #1 en Billboard como músico independiente, pero cuando un artista tiene dos álbumes al #1, pues, probablemente deberías escuchar a sus consejos!

BY CHRIS NOBLEY,  MUSICODIY (View Article on Official Website)

Paul Cardall ha situado dos álbumes en el número 1 de las listas New Age de Billboard. Esto es un auténtico logra para un artista que produce, lanza y comercializa su propia música (a través de su sello Stone Angel Music).

¿Cómo hizo este pianisata y compositor instrumental para pasar de tocar para los clientes de tiendas como Nordstrom a hacerlo en anfiteatros con una orquesta de 60 músicos?

He hablado bastante en este blog sobre la importancia del relato de un artista cuando intenta llamar la atención sobre su música. La historia de la vida de Paul tiene un papel central en su música y en la forma en que esta se presenta al mundo.

Hasta cierto punto esto es así para todos los artistas: no podemos separar nuestra música de nuestras vidas. Pero parece especialmente cierto en el caso de Paul. La relación entre sus luchas personales (nació con una anomalía congénita en el corazón y ha pasado por complicadas operaciones), sus triunfos (sobrevivió a un trasplante después de esperar un corazón durante más de un año), y la música que crea, ha atraído a miles de oyentes hacia su historia personal y sus canciones.

Es evidente, por el tamaño e implicación de su público, que la música de Paul (y la historia de su vida) ofrece esperanza a la gente, o al menos consuelo. Además, ha puesto su talento al servicio de muchas causas solidarias, incluyendo conciertos benéficos, tocar para gente que combate enfermedades, etcétera.

Sentía curiosidad por saber cómo Paul Cardall forjó esa relación con sus fans, y como ha desarrollado su carrera musical hasta el punto de que su álbum más reciente — 40 Hymns for Forty Days — debutó como número 1 en la lista de New Age de Billboard. Esto es lo que me contó…

Una entrevista con el pianista New Age Paul Cardall

Ahora tienes dos álbumes que han sido #1 en Billboard. ¿Cómo has conseguido un público tan receptivo a tu música sin la ayuda de un gran sello? ¿Puedes hablarnos de algunos de los momentos en tu carrera en que realmente aprovechaste la oportunidad de hacer crecer tu base de fans?

Para contestar a esta pregunta necesito explicar cómo empecé. De adolescente aprendí a tocar de oído, sin una enseñanza formal. Me obsesionaba, y era adicto a ello, improvisar y componer melodías de piano al estilo del nuevo género popular de música New Age de los 80. George Winston, Yanni y otros que escuchaba por la radio. Este estilo me llegaba y lo copié hasta desarrollar mi propio sonido. Después de sentir un subidón de adrenalina tocando en festival de instituto supe que quería más, así que busque trabajo de pianista.

Empecé a tocar en restaurantes elegantes, campos de golf, tiendas y bodas. Allí donde hubiera un piano, yo me ofrecía a tocarlo a cambio de unos dólares la hora. Inmediatamente aprendí que se trataba de un negocio y empecé a negociar mis honorarios.

Después de 3 años tocando en lugares públicos grabé un álbum de 10 canciones que llamé Sign of Affection. En todos los sitios donde tocaba a principios de los 90 pedía permiso a la sala para vender mi disco. Dejaba los CDs junto al bote de propinas con un cartel que decía “Llévate el Recuerdo (CD) a casa y pon $20 dólares en el bote”. Vendí cientos de CDs durante la temporada de vacaciones.

Estaba aprendiendo a tocar, vender, y ganarme la vida como músico. La única diferencia entre el tipo en la calle con el estuche de la guitarra abierto y yo, era que yo estaba dentro de la tienda donde la gente estaba comprando cosas y solicitaba un concierto tocando su piano. Les ofrecía una muestra de mi disco y todo el mundo estaba contento. Por supuesto, si mi música fuera mala nunca me habrían dejado entrar. Tener un CD era mi tarjeta de visita. Lo entregaba a la gente como referencia. En algunos casos algunas tiendas aceptaban mi disco en depósito. Mi objetivo era conseguir distribución ya que iba haciéndome un nombre en mi ciudad. Pero me rechazaron en todas compañías distribuidoras.

Por esa época, tocaba en Nordstrom durante las fiestas y una mujer compró 200 CDs. Dijo que la música le recordaba a su difunto marido. Hizo llegar el CD a Richard Paul Evans, autor de best sellers, del New York Times. Me pidió que hiciera un álbum basado en su libro The Christmas Box. Ese año pude conseguir distribución y vendí más de 50000 CDs. El escritor se sentía mal por tener a las mujeres haciendo cola de pie para que les firmase ejemplares de su libro, así que pensó que tenerme a mí tocando el piano mientras la gente esperaba podía estar bien. Esto me abrió otra puerta. Después de dos años vendiendo discos ya tenía una buena relación con la distribuidora y estaba preparado para lanzar mi tercer álbum.

Mientras tanto, acudí a la feria nacional del libro en Chicago. Mi intención era hacer más contactos para la distribución. Conocía a algunos tipos de Virgin Records que dirigían un pequeño sello llamado Narada. En los 80 y 90 eran importantes en música New Age. Se interesaron por comprar el CD The Christmas Box. Licencié el álbum con esa compañía y a cambio me dieron regalías y expandieron mi distribución. Invirtieron en mí y me llevaron a cientos de miles de personas aficionadas a la música para piano. Aun así, no estaba satisfecho, porque querían que hiciese otro estilo de música. Afortunadamente, al mismo tiempo, su compañía estaba bajando financieramente y finalmente me dieron libertad para hacer lo que quería.

Por entonces, en 1999, tenía un amplio público, había creado mi propio sello discográfico (Stone Angel Music) y conocí CD Baby. Fue también el momento en que internet despegó y los músicos independientes tenían más libertad para controlar lo que la gente descubría online. Internet se convirtió en el Salvaje Oeste para los músicos. Pero puede hacerme una web y empezar a promocionarme a través de MySpace y otras redes sociales online.

El momento clave de mi carrera vino después de mi trasplante de corazón en 2009. Hice un blog y más de un millón de personas, que no necesariamente conocían mi música, leían diariamente mis posts sobre mi experiencia a la espera de un futuro desconocido. Sobreviví y grabé un álbum llamado New Life. Con la ayuda de CD Baby y Deseret Book Distribution, una compañía que distribuye a 500 tiendas de regalos LDS/Cristianas (LDS: Iglesia de los Santos de los Últimos Días, popularmente conocidos como mormones), pude llegar al número uno en la lista de New Age de Billboard. Tuve la fortuna de conocer el mercado LDS porque yo soy LDS. Afortunadamente las tiendas reportan a SoundScan igual que las muchas tiendas a las que distribuye CD Baby. Debo añadir que un artista similar, como Jim Brickman, no es LDS y también tiene sus discos a la venta en las tiendas LDS.

¿Qué papel ha representado Pandora en tu éxito?

¡Enorme! Pandora es importante e increíble. Me han abierto puertas. Cientos de miles de personas han descubierto mi música a través de Pandora. Es muy bonito. Como CD Baby, son honestos y pagan sus facturas.

Corrígeme si estoy equivocado, pero tengo la sensación de que los artistas instrumentales/New Age no hacen giras en el sentido tradicional, sino que concentran la energía en crear unos pocos grandes conciertos con gran producción, orquestas, etc. ¿Es eso así en tu caso?

Yo hago algunas giras. Principalmente me invitan a convenciones médicas a hablar. Integro mi música en mis conferencias y capto a nuevos fans de esta manera.

Estás en lo cierto al decir que no podemos ir de gira con toda la gente que toca en nuestros discos, por los costes.

Para un artista hip-hop o folk, salir de gira ofrece no solamente una forma de acercarse a nuevos públicos, sino también para generar apariciones en prensa en cada ciudad. Es algo así como el método obligatorio para crear expectación. ¿Cómo lo hace un artista New Age?

Estoy de acuerdo. Un artista New Age, como todo artista, necesita una historia que contar. Algo que te diferencie de los demás. Es lo que siempre digo: por qué es diferente o mejor tu limonada que la del muchacho a la vuelta de la esquina. Sin intentar crear expectación intencionadamente, ésta ha crecido con el trabajo filantrópico.

Tal como funciona el marketing online, ¿qué es lo que te da mayores ingresos?

Pandora es de lejos la mayor fuente de ingresos, porque soy el dueño del copyright y el intérprete. Aun no tengo muchos seguidores en YouTube. Facebook está muy bien porque permite interactuar con los fans. Pero para que crezcan tus fans has de postear 2-3 veces al día sin hacerte pesado. Tienes que mantenerte creativo sin dejar de ser quien eres. Lo que podría ser divertido para tus amigos podría no serlo para tus fans.

¿Trabajas con un publicista? Si es así, ¿puedes hablarnos de cómo es el proceso?

Los publicistas son importantes. De todas formas, tiendo a hacer yo mismo las llamadas a los medios a puerta fría. He aprendido a redactar una nota de prensa y el nombre de mis ayudantes está en ellas, pero durante la mayor parte de mi carrera yo hice las llamadas y empujaba mi historia. Sin embargo, en mi último álbum 40 Hymns for 40 days, contraté a un publicista porque se estaba escapando a mi control. Cada vez me llama más gente de diarios nacionales e internacionales, radios y televisiones.

A medida que tienes éxito y tienes que gestionar cada vez más aspectos de tu carrera, ¿no tienes la sensación de que corres el peligro de perder la conexión con tu propia música?

Sí, todos acabamos quemándonos… así que intento hacer pausas y viajar. Tienes que divorciarte de tu música, tu estilo, todo eso, y luego volver, arrepentido, y comprometido a hacerlo mejor que nunca. Con cada nuevo álbum, siento como si la música fuera cada vez más potente, profunda y gratificante. Pero el factor de satisfacción llega porque me gusta rodearme de gente con mucho talento, y me fío de su criterio en las contribuciones que hacen al disco. Por ejemplo en las partes de cello o de guitarra acústica, ellos conocen los instrumentos mejor que yo. Después de escuchar a todos los demás que intervienen en el disco, disfruto escuchando porque no se trata solo de mí.

Como propietario de tu propio sello, ¿qué buscas en otros artistas antes de decidirte a lanzar su música?

Muchos de ellos, como el guitarrista Ryan Tilby y el cellista Steven Sharp Nelson, son tipos con los que he tocado muchos años. Pensé que mi público querría escuchar sus discos en solitario, ya que los han escuchado en mis discos o los han visto tocando conmigo. Todos debéis conocer ya a Steven Sharp Nelson porque se unió a mi amigo Jon Schmidt y crearon The Piano Guys. Son una sensación en YouTube, de alguna manera son lo más grande desde Mannheim Steamroller. Afortunadamente, aun soy dueño de sus álbumes y él los promociona con orgullo. Aunque ellos están en Sony, nosotros lanzamos su último álbum en solitario, a través de CD Baby.

Si tuvieras que dar un consejo breve a un joven compositor o cantautor que acaba de decidir intentarlo en el mundo de la música, ¿qué le dirías?

Nunca te rindas. Apréndelo todo sobre el negocio y el marketing. Habla con todo el mundo y disfruta cada instante.

—–

Conoce la música de Paul Cardall en CD Baby o en su website.

Paul Cardall’s New Heart Brings No.1 Album

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New Life debuted #1 on Billboard's New Age Chart

New Life debuted #1 on Billboard’s New Age Chart

By Kaylene Morrill for The Deseret News
Published: Wednesday, March 9, 2011 12:55 p.m. MST

Paul Cardall’s new heart brought new life.

Now, his album “New Life” has reached the top of the Billboard New Age Albums chart.

“I never dreamed of having a No.1 recording until now,” Cardall said in a news release. “I’m truly humbled and honored to share a prestigious chart with world-renowned artists Yanni, Enya, Jim Brickman and others.”

Cardall’s album edged out Yanni’s “Truth of Touch” and Enya’s “The Very Best of Enya” for the top spot.

New Life” is the musician’s first album since he received a heart transplant and the fifth to earn a spot on the Billboard chart. The album was completed in September 2010.

“New Life” encompasses a variety of emotions about healing and internalizing self-identity, and about what the musician went through, evidenced by song titles such as “Letting Go,” “Restless Hope” and “Gratitude.”

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Paul Cardall plays his heart out on No. 1 album

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By David Burger
The Salt Lake Tribune
Published: March 31, 2011

The researcher who compiles the Billboard New Age chart expressed surprise that Salt Lake City pianist and composer Paul Cardall’s new album “New Life” ranked No. 1 for three weeks earlier this year.

“I’m not sure how they did that,” said Gordon Murray, chart and research manager of Billboard magazine, about Cardall and his Salt Lake City-based label, Shadow Mountain Records, a division of Deseret Book.

The album’s popularity seems even more surprising when you consider that Yanni, the undisputed king of New Age music, released his new album just six days before Cardall released “New Life.” For three weeks, Cardall, a little-known pianist and composer from the Beehive State, sold more copies nationwide of his new album than Yanni did.

But Cardall considers his biggest, and happiest surprise is that he’s alive.

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Person 2 Person – KUTV (CBS) Interview

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Watch the Interview
IMG_0366

Paul Cardall is an internationally acclaimed pianist whose most recent album, New Life, debuted at number one on the Billboard chart in 2011. He is currently working on a new album titled Saving Tiny Hearts that will debut November 11th, 2014.

Having survived with the odds against him, Paul says, “You only live twice,” this after he had to have a heart transplant. Today Paul says music is what got him through a long year and half of waiting and wondering if he was going to survive. This week, Shauna Lake sits down with Paul Cardall “Person 2 Person.”

SHAUNA LAKE: Let’s start with the music. What are you working on?

PAUL CARDALL: Well I have a lot going on with music. I built a studio here in Salt Lake City. It’s the premiere Steinway & Son’s studio. I was invited by Steinway to become a Steinway artist.

SHAUNA LAKE: What does that mean exactly?

PAUL CARDALL: Well it’s huge because there are only 1600 pianists that have, since the beginning of time, that have been asked to be Steinway artists. Everybody from George Gershwin to Rock Maninoff to today you have Billy Joel, Harry Connick Jr., and they just asked me to be an artist so I’m…I’m overwhelmed and thrilled and excited.

SHAUNA LAKE: I was so interested when I was reading about you that you played when you were a little kid and just kind of lost interest and, “Oh I don’t really want to play.”IMG_9025

PAUL CARDALL: I think most kids take piano lessons and they either love it or they hate it. As for me and my large family, there were eight kids and there wasn’t a lot of pressure to play. So I quit. I couldn’t…I couldn’t…I didn’t even like it, but I loved music. But the gift didn’t really come until I was a teenager after the passing of a friend and I went into the piano in my parents living room and there I discovered I could play by ear and the music and the melody that came to me seemed to just give me the comfort and the peace I needed so playing the piano became a regular thing. It was an addiction. I was doing it three hours a day because it made me feel so much peace and comfort and then when I was asked to play for somebody that gave me even more motivation. That’s the beginning of, “Oh maybe this is something I could do.”

SHAUNA LAKE: You talked about your big family, you talked about the death of a friend, and I know more recently you had a tragic death of your brother also.

PAUL CARDALL: Yeah.

SHAUNA LAKE: Did music help you in that situation also?

PAUL CARDALL: It did. Brian was a…when he was not doing his field research he was playing the guitar and so he used to sit and play for me. In fact after he passed I kind of stole one of the melodies that he had created and turned that into a piece of music that I put on my album “New Life.” So his legacy of what he created continued on and the melody spoke such comfort and peace to me.

SHAUNA LAKE: What stage of your life you were in when you wrote it?

PAUL CARDALL: Well the most recent album was “New Life.” I had just had a heart transplant and so all the emotions associated with, “Was I going to survive because I was waiting for a donor heart?”Unknown-34 So there was this moment of, “How do I capture all those feelings?” And then the miracle came. I got a heart transplant and then I had to come up with an album that really defined that moment and it took me a year and a half later to have that album. But that album is the one that seemed to have the most impact on people all over the world that were going through similar things. Maybe not a necessarily a heart transplant but we all have our different challenges; and that particular album seemed to resonate with people and I think that’s why it was a number one record.

SHAUNA LAKE: What was happening to your heart in that time?

PAUL CARDALL: The heart…well I was born with only half a heart.

SHAUNA LAKE: Right.

PAUL CARDALL: So the heart was really damaged from previous surgeries, and it had enlarged and they just needed to remove it. I remember going into surgery, the surgery room and I saw all the pieces of equipment and to me it was like an orchestra. There were all these different parts and elements and the surgeon was going to perform this magnificent piece of work, exactly, and he did. He pulled it off.

SHAUNA LAKE: Tell me about your family.

IMG_0340PAUL CARDALL: Mostly my number one fan and person who I love the most is my wife who manages me and keeps me organized. And I just…I think all of my success in the future will be because of her support and love. I really can’t do it without who I’m married to. I’ve been given this second chance in life and to do it without here…I wouldn’t want to do it at all.

SHAUNA LAKE: What does it mean, especially at a young age, to be given the gift of almost your life to live all over again?

PAUL CARDALL: I say we only live twice. You know maybe three times if there’s another heart, but being given a second chance in the beginning is kind of a little rough because you did pack your bags and you did think maybe this is it. But you fought…you fought like crazy to survive and then once you survive you kind of get into this little slump of, “What do I do now?” But then it gets better and better and better and having that second chance you realize everything that you’ve…this is so beautiful in this life. And everything that is so worth living for.

SHAUNA LAKE: Paul it’s been so nice to get to know you better Person 2 Person.

PAUL CARDALL: Thank you Shauna.

SHAUNA LAKE: Thank you so much for your time.

PAUL CARDALL: Yeah my pleasure.

SHAUNA LAKE: Appreciate it.

-Written and produced by Leslie Tillotson (watch the interview)

(Copyright 2014 Sinclair Broadcasting Group.)

The heart-pounding music of SLC piano man Paul Cardall

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BY CELIA R. BAKER SPECIAL TO THE TRIBUNE
PUBLISHED JUNE 12, 2012 2:40 PM

Paul Cardall doesn’t want to talk about his heart. The new one he received in 2009 during a much-publicized transplant procedure is working just fine, thank you. Cardall would like to talk about his New Age piano music. He will be performing some of his favorite selections on June 16 at Sandy Amphitheater with the Lyceum Philharmonic youth orchestra.

Cardall, who is also a lecturer and travel specialist, didn’t take well to piano lessons as a child. His restless spirit chafed at the structured demands of traditional piano study, and the lessons stopped after less than a year.

He loved music, though, and listened to it constantly as he grew up in Salt Lake City. When a close friend died while Cardall was in his teens, he returned to the piano, composing a melody in his friend’s honor as he searched for solace.

“For the first time in my life, I hit a couple of notes that spoke to me like I knew them,” he said. “I had this overwhelming feeling. I could really hear what I was feeling through those notes. ”

Through music, Cardall had found a way to plumb the depths of his emotions — and because he was living with a life-threatening congenital heart condition, there were many to explore.

He began spending several daily hours at the piano picking out popular songs and composing music inspired by his favorite New Age artists: David Lanz, Yanni, Jim Brickman and George Winston. Cardall’s original music had a tender, intimate quality that impressed his family and friends.

He soon found gigs playing in restaurants, then at Nordstrom department store. And he began studying the fundamentals of music in earnest. From popular piano instructor Craig Kaelin, he learned about scales and chords, and how to write the musical charts used by studio musicians.

Meanwhile, Cardall took college classes in marketing and business, learning to sell and package music and manage the intricacies of royalties and publishing. He broke onto the national music scene when Utah author Richard Paul Evans asked him to compose an album to link with his best-selling book The Christmas Box in 1994.

A contract with the Narada music label followed in 1999, after which Cardall created his own label, Stone Angel, for inspirational music. His album “New Life” debuted as the No. 1 Billboard New Age album in 2011 and remained in the top five for 30 weeks.

The album was the musical culmination of Cardall’s 385-day wait for a healthy new heart, detailed in a blog that attracted more than 1 million followers. The release coincided with the publication of his memoir, Before My Heart Stops.

The songs Cardall will perform at the Sandy Amphitheater have been expanded musically from the versions on his albums. Utah composer/arranger Marshall McDonald, a friend of Cardall’s, wrote full orchestrations of the pieces, to be performed by the award-winning Lyceum Philharmonic youth orchestra.

“Paul’s music has a lot of textures, and we’re adding a lot with the orchestra,” said Kayson Brown, conductor of the Lyceum Philharmonic. “The best of Paul Cardall will be there in a way audiences haven’t heard.”

Besides accompanying Cardall, the orchestra will play the Scherzo from Beethoven’s Symphony No. 9, Leroy Anderson’s crowd-pleasing “Fiddle Faddle” and two selections from “The Price of Freedom,” a stage musical by Utah composer Rob Gardner.

The Lyceum Philharmonic is an after-school orchestra program for students ages 13 to 18, sponsored by the American Heritage private school in American Fork. The 65-piece auditioned orchestra is the top performing ensemble of four after-school ensembles at American Heritage; it draws students from many Utah communities.

The orchestra’s young players have performed with a variety of Utah musicians, including singer Alex Boyé, cellist Steven Sharp Nelson, violinist Jenny Oaks Baker and singer David Archuleta. The group has won the Best of State Utah award as best youth instrumental group for the past four years.

“The students are all auditioned and all motivated,” said Brown, who holds a master’s degree in orchestral conducting from Brigham Young University, where he is on the string faculty. “There’s a wonderful atmosphere from people using their discretionary time and resources to perform uplifting music.”

Brown expects the concert to be memorable for his orchestra, as well as Cardall’s fans. “If you’ve listened to Paul’s music, it just washes over you,” he said. “This is a chance for our musicians to be part of that, feeding off his energy and the beautiful surroundings. It will be a magical night for our young musicians and the audience as well.”

Utah musician Paul Cardall celebrates five years of new life

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BY DAVID BURGER
SPECIAL TO THE TRIBUNE
PUBLISHED: NOVEMBER 17, 2014 09:30AM
UPDATED: NOVEMBER 15, 2014 01:05AM

Best-selling Utah pianist and composer Paul Cardall is celebrating five years since his life-changing heart transplant with a new album called ìSaving Tiny Hearts.î One dollar from every album sold goes directly to the Saving Tiny Hearts Society, seeding grant funding for medical research of congenital heart disease.

This year, best-selling Utah pianist and composer Paul Cardall is celebrating five years since his life-changing heart transplant.

As part of this, the 41-year-old independently released an album on Tuesday called “Saving Tiny Hearts.” It’s sort of a “greatest hits” collection, along with new versions of some of Cardall’s most beloved tunes.

One dollar from every album sold goes directly to the Saving Tiny Hearts Society, seeding grant funding for medical research of congenital heart disease.

Cardall spoke to The Tribune about the new album, congenital heart disease and his hopes for the future.

For those who don’t know about your story, can you briefly describe how you discovered you had heart disease?

As a child, I discovered a long scar under my right arm where my parents told me I had heart surgery the day I was born. They said I only had half a heart, which is why every six months to a year they took me to the children’s hospital so medical personnel could take my blood, run a variety of tests and sit for a long time in a waiting room until finally we got to see my cardiologist. … Afterward, my mom always took me to the Hostess store to pick any sugar-filled item on the discounted shelf. … Since that time, I have had numerous open-heart surgeries to correct what is called a congenital heart defect. At age 14, a pacemaker was implanted to solve a minor problem, and I continued to take a lot of medicine to maintain good health. I received more pacemakers as their battery life ran out as well as several other minor heart surgeries to correct other issues.

How prevalent is congenital heart disease?

Millions of children are born every year with some form of a defective heart that requires lifelong medical care and surgery. It’s no wonder, congenital heart disease is the No. 1 birth defect and leading cause of infant-related deaths. Fortunately, I was one of the lucky ones who survived during a time when most infants never went home.

Why did you need a transplant?

Continue Article on Salt Lake Tribune

Saving Tiny Hearts: Musician Paul Cardall Raises Awareness for CHD

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Posted by: Quinn Vincent Hough in Billboard, Feature, Music, Stars
9/19/2014

EXCLUSIVE | One day before I spoke with American pianist Paul Cardall, the 41-year-old was celebrating the five year anniversary of a new heart and an optimistic vision for the future.  At age 34, during the peak of his musical career, Cardall suffered from heart failure and was given one year to live, however, on September 9, 2009, the end of one life allowed another to continue on.

Congenital Heart Defect (CHD) affects approximately one million children worldwide each year, but poor funding means that 100,000 children won’t live beyond the age of one. Cardall’s new album, Saving Tiny Hearts, will be released on November 11 and for each album sold, one dollar will be donated to the Saving Tiny Hearts Society.

When I spoke with Paul, the Utah-based artist had just released a music video on both Facebook and Twitter for “Gracie’s Theme,” which was filmed in his native state near the Uinta Mountains and features children who represent survivors of Congenital Heart Disease.

“I wanted an anthem; a call to action for people to recognize that congenital heart disease, even though it’s the #1 birth defect, is the least funded.”

Paul Cardall grew up in Salt Lake City and lived a normal childhood, despite being born with half a heart, thanks to the support of his parents. He played baseball, listened to Rush and used money from his paper route to buy cassette tapes at the local music store.

“I come from a large family and my parents never treated me like I was a boy in a bubble, because there was no Google. They could not find symptoms and be afraid of every little thing. They didn’t know about germs, diseases and all that stuff, so it was to my benefit. I could play all day without washing my hands and then have dinner. It was no big deal.”

The music of Yanni and David Lanz caught the attention of young Cardall, along with the 1984 Miloš Forman film, Amadeus, about the famed pianist, Wolfgang Amadeus Mozart. As a piano player myself, and film fanatic, I spoke with Cardall about the powerful influence that musicians like Mozart and Ludwig van Beethovencan have on a child already interested in music.

“You start to learn about these guys and it’s amazing. Beethoven was tormented his whole life because he couldn’t get to a hotel to meet the woman he loved. There was that little moment where he was not able to connect with the woman, who loved him, but assumed he wasn’t interested. You learn about these guys and you hear the pain, the joy and everything associated with it — and for me I really connected with that.”

Cardall stepped away from the piano for several years during high school, but returned after the death of a friend and composed a piece titled, “Dave’s Farewell.” While playing at a local Nordstrom’s, a woman approached the young pianist about his music, as she had lost her husband (also named Dave) two years prior, and ultimately purchased 200 CDs. One of the lucky locals to receive Cardall’s music was the woman’s neighbor, Richard Paul Evans, who had written The Christmas Box and asked Cardall to collaborate on an album.

“People were asking what the music sounds like, and so he kept saying, ‘it sounds like Paul Cardall.”

By 1999, Cardall signed a two-album record deal with one of the premiere New Age record labels, Narada (owned by Virgin Records), and established Stone Angel Music while “smooth jazz” appeared to be taking over. Cardall was poised to stay loyal to his own sound.

“Everybody started doing smooth jazz. I had no interest in that stuff — and the distribution channels had already opened up — so I established Stone Angel Music, added a couple employees and started putting out my records. We put out an artist named Steven Sharp Nelson, who released “Sacred Cello,” and he’s now a member of The Piano Guys. I took a lot of joy and pleasure in building Stone Angel Music from not just my albums, but some of the artists that I performed with and having them do albums that you wouldn’t normally expect – like a cello record.”

When Cardall signed his first deal fifteen years ago, the Internet was already exploding worldwide, although musicians didn’t have the ability to use Facebook and Twitter to instantly connect with fans. As Cardall’s heart problems intensified during the late 2000s, fans began to worry and reached out to the musician via social media. As a result, Paul opened up the communication and noted his daily thoughts on a blog.

“I was very honest and very open. Mostly I was writing because I had a little girl, my daughter, and if I wasn’t going to be around, I wanted her to have this legacy of my thoughts that she could read. That became the purpose of the blog, so we called it “Living For Eden.” Eden is my daughter. Fortunately, they tell you that when you’re going through something crazy like that, the best form of therapy is to journal, because it allows you to process your feelings and get it down on paper. It was really healing for me to just write.”

Shortly after his successful heart transplant, Cardall released an album titled “New Life,” which embodies the inner peace and joy of a new perspective. Over the years, Cardall has received numerous messages of gratitude from local followers in Utah all the way to U.S. soldiers based in Afghanistan. Cardall’s musical ability also caught the attention of the world-renowned Steinway & Sons, who invited the artist to join their roster of the world’s best musicians alongside greats such Irving BerlinDuke EllingtonFranz LisztGeorge GershwinIgor Stravinsky and many more.

“It’s a huge honor and I think for the first time in my career I felt vindicated for all my hard work, because I’ve been independent and I’ve been able to manage my label and my career on a very personal level with my audience. I know my audience – my audience knows me – and we have a good relationship.”

Paul Cardall will perform in Paris on September 26, and London on October 2, before returning home for the release of Saving Tiny Hearts on November 11. The biggest battle of his life may be over, but Cardall continues to spread his message of hope for young children living with CHD across the globe.

“What I’m trying to do is show people that we have come a long way. We are making progress. I survived. I’ve beaten the odds and I want other kids, and the medical field, to recognize that we are achieving a lot of good. We just need to keep going.”

Visit PaulCardall.com for videos, music and information on the release of Saving Tiny Hearts.

What’s new: Cardall’s ’40 Hymns for Forty Days’ lends to prayer, meditation

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By Wendy Jessen For the Deseret News
Published: Thursday, April 16 2015 5:00 a.m. MDT

40 HYMNS FOR FORTY DAYS by Paul Cardall, Stone Angel Music, $17.98

2015 40 Hymns for Forty DaysPianist, Paul Cardall, has released his latest album, “40 Hymns for Forty Days.” This two-disc set contains 40 songs, each freshly arranged and performed by Cardall. This marks his 15th studio album.

Some of the well-known hymns and songs on the album include “Israel, Israel God Is Calling,” “Come, Follow Me,” “Jesus Wants Me for A Sunbeam,” “Lead, Kindly Light” and “God Be With You ‘Til We Meet Again.” Each arrangement is reverent and worshipful, which can bring a spiritual focus to the hearts and minds of listeners.

With more than 100 minutes of instrumental music, Cardall’s soothing music allows listeners to meditate, pray, relax, study and feel peace.

Besides Cardall’s musical expertise, the album also includes various musicians on violins, violas, cellos and a bass. The string arrangements, created by Marshall McDonald, add to the beauty of the inspirational melodies.

Cardall, a Utahn who is celebrating 20 years in the music industry, has fans in more than 100 nations and listeners transcending culture, race and religions, according to press materials.

One of his previous albums, “New Life,” reached the top of the Billboard New Age Albums chart after its release in 2011.

Musician With Heart Transplant Creates Music That Heals Hearts

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Author and Blogger at SethAdamSmith.com
Posted: 05/28/2015 9:08 am EDT | Updated: 05/28/2015 10:59 am EDT

Paul Cardall is an internationally acclaimed pianist whose bestselling music is making huge–yet peaceful–waves. His fifteenth album, 40 Hymns for Forty Days recently debuted as the #1 Billboard New Age Album. This is his seventh album to make the lists on Billboard and his second to top the charts.

But during a phone interview, Paul told me that his primary objective isn’t to make bestselling selling music. “My goal is to create music that helps soften and heal the heart,” said Paul.

That simple statement is both powerful and ironic–considering the fact that Paul was the recipient of a heart transplant in 2009.

Continue the Huffington Post Article